大和 - ゴールデン サーファー | mer, 08/31/2011 - 18:50

So "you can't model the smoke, you can't model the spray, you can't model the smell" -or can you?.. at least the spray :)

This time the water is 95% done and there will be no more in progress shots of this diorama before I fire it up. There are still some parts behind the flower which look  a bit unconvincing. Otherwise I managed to make the flying foam with some special wool which is not cotton, but that's something I will explain later as it's my own version on a trick first given by modeleur extraordinaire Jim Baumann.

And thanks to MAK star Lincoln Wright for translating me the title of this diorama in Japanese!

199

196 IJN Yamato 1/35 sea

197 IJN Yamato 1/35 sea

198 IJN Yamato 1/35 sea

Yamato -The Golden surfer | mar, 08/23/2011 - 11:14

 

A few short weeks ago, someone in a Francophone forum (might be Canadian) gave some links to both my site and some Per Olav Lund dioramas -do you think I got a positive mention? nope I didn't! I guess that by seeing the first page of my site with all those dead guys,  people passed to something else. Oh never mind.
Truth is i suspended the work on that T-26 till the end of september. The reason? I am invited to Model in Action in Einhoven Nederlands so I thought I would bring something special.
That's it, a brand new waterlogged diorama with demented sea. The nicest thing is what i used as a base for that diorama. As I didin't want to use some unknown ship, I settled for maybe the best known and biggest battleship ever built -that is the Yamato.
 
Work in progress of course, I just began to detail the sea.
 
191 Yamato 1-35 diorama192 Yamato 1-35 diorama WIP193 Yamato 1-35 diorama194 Yamato 1-35 diorama

Екатерина Голубева 1966 10 09 - 2011 08 14 | mar, 08/23/2011 - 11:09

 

Two days ago I read about the death of Katerina Golubeva (Екатерина Голубева) while doing some computer work. So well. I usually never care about such news and passed to something else.
 
Then I went in my garden shed, dressed in JBA Diorama, started to paint something and then I really fell it. 
I remember a long time ago going to the cinema to see the 2 movies she did for Lithuanian filmmaker Sharunas Bartas, "few of Us" and "Three days" which were both abysmally boring for anyone either not drunk enough or not patient enough to adjust to the extremely slow tempo of those young people smoking fags and wandering through derelict industrial landscapes as taken on camera. The heart of my diorama making ideas in fact. My ultra old diorama "Orange 0" doesn't figure Katerina because I couldn't sculpt anything then except hair -so I gave my converted figure her haircut.
 
Of course since then she didn't only do good movies (blame the abysmally bad Carax), but yet today I feel really sad, my dioramas are somewhat orphaned of that incredibly wild looking woman, certainly one of the best reasons ever to model Russian.
 
189 Katerina Golubeva
190 Katerina Golubeva
 

where does the sun shines from | mar, 07/12/2011 - 15:38

Okay now let's explain my own take on "color modulation". I am always taken by the fact that however beautiful and aah artistic the tanks painted with those brand new ways and products always look like, they are painted in a completely neutral light that baths every part of tanks just like some spotlights were placed everywhere like in a dream museum if you will.

Well, that's not the case in real life see? If it's 4PM even in winter, there are some great chances that the bottom of a tank will appear to be almost black because there is nothing to light the ground below the tank or the bottom of the tank. Then there is the colours themselves. You know the story of the white horse? Well, in the summer when you look at a white horse under a tree, the horse will be green. No matter by which end you take it, the light will be filtered through green leaves and a green light on a white horse gives you a green horse. There's only your brain that sees it as a white horse because you know a green horse doesn't exists.

Same thing with tanks man. Now when I see people trying to get the exact Russian green for their BT-26..

Well anyway, it's 6PM on the Loire's borders in august '41, the sun is at maybe 40° high and comes from the rear center of the tank: which means that the rear of the tank,  the side of the turret will be of a nice frog yellow-green, while all places behind will be of a normal green.

if you ask me why there is so much brown stains on the rear of the t-26 that's because that's the place where the soldiers rest, they cast a shadow too.

Of course under the fenders, under the turret it's a brown dark green..

When it comes to the quality of the weathering itself, that's still work in progress, i have at least another 4 or 5 hours to spend on it.

187 T-26 clear side

Now that's the same tank, taken from the other side, where the sun doesn't shine

188 T-26 color modulation dark side

Okay now, I have a lot of extra time to spend with a 0 brush to arrange everything, add a few rust stains, stuff like that. And then i think the inside of the turret hatch is whitey too.

Starting the T-26 painting | sam, 07/09/2011 - 18:16

Now the Blacken -It is really an amazing product. I thought it blackened the metal Friul tracks but it doesn't really. they get some sort of rusty sandy tint which is spot on. With even some natural weathering here and there. When you rub the tracks with your fingers they start to get a darker color etc. Really good.

Now I just fixed them in place without overpainting them and started my usual painting process on the wheels. This is not bad looking, but nbot very precise and some work will be needed still.

185 Friul tracks with Blacken it on T-26

 

Here is a view of the other side of the tank, with more weathering attempts on the lower part of the hull. Work in progress I say.

186 T-26 wheels unweathered

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